"Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto" by Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra was released on September 24, 2007. With this song being about 5 minutes long, at 4:46, "Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto" by Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 10 in Elgar: Cello Concerto by Edward Elgar, Natalie Clein, Vernon Handley, Liverpool Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto by Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
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