Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker's ' "Haydn: Symphony No. 90 in C Major, Hob. I:90: IV. Finale. Allegro assai" was released on its scheduled release date, August 3, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker's "Haydn: Symphonies Nos 88-92 & Sinfonia Concertante" album is number 12 out of 24. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: Symphony No. 90 in C Major, Hob. I:90: IV. Finale. Allegro assai is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn: Symphony No. 90 in C Major, Hob. I:90: IV. Finale. Allegro assai by Joseph Haydn, Sir Simon Rattle, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Fountains of Rome: The Triton Fountain (La fontana di Tritone al mattino) | Ottorino Respighi, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 59 BPM | ||
Cherubini: Medea, Act 2: Introduction | Luigi Cherubini, Orchestra del Teatro alla Scala Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 82 BPM | ||
Sinfonia concertante in D Major: Symphony in D Major | Gaetano Donizetti, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 71 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | F Major | 2 | 7B | 123 BPM | ||
String Quartet in C Minor: IV. Variazione con finale fugato | Ralph Vaughan Williams, Verdi Quartett | C Minor | 1 | 5A | 142 BPM | ||
The Rain of Lights | John Van Geem | D♭ Major | 3 | 3B | 99 BPM | ||
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (Quasi andantino) - Presto ma non assai | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 89 BPM |