Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'La gara degli dei: No. 8, "In mezzo al'acque"' came out on April 26, 2013. With this song being about 5 minutes long, at 5:02, "La gara degli dei: No. 8, "In mezzo al'acque"" by Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 14 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: No. 8, "In mezzo al'acque" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: No. 8, "In mezzo al'acque" by Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, D. 911: No. 8, Rückblick | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM | ||
Der Sommer: "Im grauen Schleier rückt heran" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Dietrich Henschel | B♭ Minor | 2 | 3A | 82 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Mass No. 17 in C Minor, K. 427 "Great" (Completed by F. Beyer): I. Kyrie | Wolfgang Amadeus Mozart, Katharina Konradi, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen | C Minor | 1 | 5A | 61 BPM | ||
Gurrelieder, Pt. 1: No. 6, So tanzen die Engel (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 89 BPM | ||
The Dream of Gerontius, Op. 38: No. 19, "Glory to Him" | Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 84 BPM | ||
Poème d'un jour, Op. 21: No. 2, Toujours | Gabriel Fauré, Stéphane Degout, Alain Planès | D♭ Major | 7 | 3B | 90 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Melodies for Piano and Voice: No. 14, La Fiancée du soldat | Cécile Chaminade, Katharina Kammerloher, Johann Blanchard | G Major | 1 | 9B | 79 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM |
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