Johann Sebastian Bach, Marina Piccinini, João Luiz, Douglas Lora made "Partita in A Minor, BWV 1013: III. Sarabande" available on September 14, 2010. The duration of Partita in A Minor, BWV 1013: III. Sarabande is about 3 minutes long, at 3:12. Based on our data, "Partita in A Minor, BWV 1013: III. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 28 in Bach: Flute Sonatas by Johann Sebastian Bach, Marina Piccinini, João Luiz, Douglas Lora. Based on our statistics, Partita in A Minor, BWV 1013: III. Sarabande's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Partita in A Minor, BWV 1013: III. Sarabande by Johann Sebastian Bach, Marina Piccinini, João Luiz, Douglas Lora is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
First Sonata For Flute & Piano, H306: Allegro poco moderato | Bohuslav Martinů, Eva Kupiec, Marina Piccinini | A♭ Major | 1 | 4B | 106 BPM | ||
I. Liebster Immanuel, Herzog Der Frommen BWV 123, Aria (Tenore): Auch Die Harte Kreuzesreise | Pieter Jan Leusink, Sytse Buwalda, Ofer Frenkel, Bas Ramselaar, Knut Schoch, Johann Sebastian Bach, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, Peter Frankenberg | D♭ Major | 1 | 3B | 86 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Prelude No. 18 in E Minor, BWV 548 | Johann Sebastian Bach, Yo-Yo Ma, Chris Thile, Edgar Meyer | E Minor | 1 | 9A | 149 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM |
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