- BPM
- 149
- Key
- E Minor
- Camelot
- 9A
Prelude No. 18 in E Minor, BWV 548 - Johann Sebastian Bach, Yo-Yo Ma, Chris Thile, Edgar Meyer Information
- Acousticness
- 97%
- Danceability
- 43%
- Energy
- 6%
- Instrumentalness
- 92%
- Liveness
- 10%
- Loudness
- 54%
- Speechiness
- 5%
- Valence
- 67%
- Popularity
- 35%
- Loudness
- -27.347 dB
Summary
Johann Sebastian Bach, Yo-Yo Ma, Chris Thile, Edgar Meyer made "Prelude No. 18 in E Minor, BWV 548" available on April 7, 2017. Prelude No. 18 in E Minor, BWV 548 is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 8 out of 17 in Bach Trios by Johann Sebastian Bach, Yo-Yo Ma, Chris Thile, Edgar Meyer. Based on our statistics, Prelude No. 18 in E Minor, BWV 548's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Prelude No. 18 in E Minor, BWV 548 BPM
The tempo marking of Prelude No. 18 in E Minor, BWV 548 by Johann Sebastian Bach, Yo-Yo Ma, Chris Thile, Edgar Meyer is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Prelude No. 18 in E Minor, BWV 548 Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto for 3 Harpsichords, Strings, and Continuo No. 1 in D minor, BWV 1063: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | D♭ Minor | 3 | 12A | 177 BPM | |
 | I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | |
 | Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | |
 | Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | |
 | Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | C Minor | 1 | 5A | 83 BPM | |
 | Concerto for Viola d'amore, Lute and Orchestra, RV 540: III. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Minor | 1 | 12A | 135 BPM | |
 | Quanto magis generosa from Juditha Triumphans, RV 644 | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | D Major | 0 | 10B | 74 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | |
 | Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | |
 | Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): IV. Allegro moderato | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D♭ Major | 1 | 3B | 97 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5978233814239502
End: 0.6052920818328857