"Sonata No. 13 in D Major, WeissSW 18: I. Allemande" by Silvius Leopold Weiss, Michel Cardin was released on January 1, 2015. Since Sonata No. 13 in D Major, WeissSW 18: I. Allemande is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #79 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Sonata No. 13 in D Major, WeissSW 18: I. Allemande is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Sonata No. 13 in D Major, WeissSW 18: I. Allemande by Silvius Leopold Weiss, Michel Cardin has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata No. 13 in D Major, WeissSW 18: I. Allemande being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Capriccio Pastorale (Arr. by Samuil Feinberg) | Girolamo Frescobaldi, Alexandra Sostmann | C Major | 0 | 8B | 118 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Corrente | Giovanni Paolo Foscarini, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 90 BPM | ||
Fantasia (I) | Cuthbert Hely, Jakob Lindberg | G Minor | 1 | 6A | 88 BPM | ||
Rececar | Francesco Spinacino, Christopher Wilson | B♭ Major | 0 | 6B | 127 BPM | ||
Fantasia in D Major | David Kellner, Alberto Crugnola | D♭ Major | 1 | 3B | 93 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Pièces de clavecin, Suite in D, RCT 3: IV. La Joyeuse (Rondeau) | Jean-Philippe Rameau, Constance Luzzati | D Major | 0 | 10B | 88 BPM | ||
Ceccona | Giovanni Zamboni, Yavor Genov | G Major | 3 | 9B | 121 BPM |
Section: 0.934091329574585
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