Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze - Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano Information

Acousticness: 99%
Danceability: 12%
Energy: 4%
Instrumentalness: 0%
Liveness: 10%
Loudness: 59%
Speechiness: 5%
Valence: 3%
Popularity: 1%
Loudness: -24.551 dB

Summary

"Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze" by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano was released on May 20, 1997. Since Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt's "Liszt: Sacred Choral Music" album is number 16 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze BPM

We consider the tempo marking of Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Via Crucis, S53/R534: Station XII: Jesus stirbt am Kreuze Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Hungarian Dance No. 1 in G Minor, WoO 1	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	G Minor	2	6A	142 BPM
16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor	Johannes Brahms, Idil Biret	A♭ Minor	0	1A	124 BPM
Impromptu "Nocturne", S. 191	Franz Liszt, Vladimir Horowitz	D♭ Minor	2	12A	70 BPM
Lied ohne Worte in F-Sharp Minor, Op. 67/2	Felix Mendelssohn, Khatia Buniatishvili	F♯ Minor	1	11A	75 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
Three Romances for Violin and Piano, Op. 22: I. Andante molto	Clara Schumann, Esther Abrami, Iyad Sughayer	D♭ Major	2	3B	81 BPM
Kinderszenen, Op. 15: No. 7, Träumerei	Robert Schumann, Vladimir Horowitz	F Major	0	7B	114 BPM
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca	Modest Mussorgsky, Ivo Pogorelich	D♭ Minor	0	12A	68 BPM
Cello Concerto in E Minor, RV 409: II. Allegro	Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann	E Minor	2	9A	145 BPM
Liebestraum No.1 in A Flat Major, S. 541 No.1: Notturno I: Hohe Liebe	Franz Liszt, Daniel Barenboim	D♭ Major	0	3B	75 BPM

ISRC: HKI199604516
Label: L-M Records/RCA Records

Section: 0.7246882915496826

End: 0.7296602725982666