"Die Zauberflöte, K.620, Act I: O zitt're nicht" by Wolfgang Amadeus Mozart, Aage Haugland, André von Mattoni, Bernard Haitink, Brigitte Lindner, Doris Soffel, Edita Gruberova, Erich Kunz, Heinz Zednik, Lucia Popp, Marilyn Richardson, Norman Bailey, Ortrun Wenkel, Peter Hofmann, Roland Bracht, Siegfried Jerusalem, Waldemar Kmentt, Wolfgang Brendel, Bavarian Radio Symphony Orchestra was released on May 1, 2021. With Die Zauberflöte, K.620, Act I: O zitt're nicht being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in #nowplaying Mozart, so we believe that "Die Zauberflöte, K.620, Act I: O zitt're nicht" is a single. In terms of popularity, Die Zauberflöte, K.620, Act I: O zitt're nicht is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Zauberflöte, K.620, Act I: O zitt're nicht by Wolfgang Amadeus Mozart, Aage Haugland, André von Mattoni, Bernard Haitink, Brigitte Lindner, Doris Soffel, Edita Gruberova, Erich Kunz, Heinz Zednik, Lucia Popp, Marilyn Richardson, Norman Bailey, Ortrun Wenkel, Peter Hofmann, Roland Bracht, Siegfried Jerusalem, Waldemar Kmentt, Wolfgang Brendel, Bavarian Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
String Quartet No. 2 in D Major, K. 155: II. Andante | Eder Quartet | A Major | 1 | 11B | 99 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM |
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