On 2019, the song "I went to visit a farm one day / Ich wollt' mir eine Farm ansehn" was released by Hayat Chaoui. The duration of I went to visit a farm one day / Ich wollt' mir eine Farm ansehn is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. I went to visit a farm one day / Ich wollt' mir eine Farm ansehn's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 62 in Das KIWI-Liederbuch. Kinder- und Wiegenlieder aus aller Welt by Hayat Chaoui. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of I went to visit a farm one day / Ich wollt' mir eine Farm ansehn is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of I went to visit a farm one day / Ich wollt' mir eine Farm ansehn by Hayat Chaoui is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Israel in Egypt, HWV 54, Pt 2. "Exodus": II. And the children of Israel sighed (Solo & Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers, Daniel Moody | B Minor | 2 | 10A | 89 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: I. Exaudiat te Dominus in die tribulationis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Jesus, You Are the Way | Margaret Rizza, Kevin Mayhew Ltd | E Major | 1 | 12B | 143 BPM | ||
Mich stráft aín wachter: II. wachter, des wil ich volgen | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM |
Section: 0.6376063823699951
End: 0.6414294242858887