"Six Songs, Op. 48: En drøm (A Dream)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Six Songs, Op. 48: En drøm (A Dream) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Six Songs, Op. 48: En drøm (A Dream)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 37 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Six Songs, Op. 48: En drøm (A Dream) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Songs, Op. 48: En drøm (A Dream) by Birgit Nilsson, Geoffrey Parsons is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?" | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Claes-Håkon Ahnsjö, Peter Hofmann, Georg Tichy, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 125 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra | B♭ Minor | 0 | 3A | 79 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
La forza del destino / Act 2: "Son giunta...Madre pietosa vergine" | Giuseppe Verdi, Birgit Nilsson, Orchestra of the Royal Opera House, Covent Garden, Argeo Quadri | A♭ Major | 2 | 4B | 80 BPM | ||
Jenufa / Act 1: Co ty, Jenufo | Leoš Janáček, Marie Mrazova, Peter Dvorsky, Elisabeth Söderström, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Major | 3 | 4B | 145 BPM | ||
Macbeth / Act I: Coro di Streghe: "S'allontanarono!" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 115 BPM | ||
Tosca / Act 3: "Franchigia a Floria Tosca" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 64 BPM | ||
Rossini: Guillaume Tell, Act 4 Scene 11: "Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux!" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chorus) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Nicolai Gedda/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
Das Rheingold / Erste Szene: "Garstig glatter glitschriger Glimmer!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 97 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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