Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Claes-Håkon Ahnsjö, Peter Hofmann, Georg Tichy, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan made "Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?"" available on January 1, 1981. Since Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #7 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?"'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?" by Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Claes-Håkon Ahnsjö, Peter Hofmann, Georg Tichy, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Parsifal / Act I: "Weh! - Hoho! - Auf! - Wer ist der Frevler?" being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie, Op.64, TrV 233: 5. Wanderung neben dem Bache | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 103 BPM | ||
Turandot / Act 1: Gira la cote! (Coro, Calaf, Liù) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Minor | 4 | 10A | 137 BPM | ||
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 4. Chor mit Sopransolo: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 1 | 8B | 91 BPM | ||
Madama Butterfly / Act 2: Io so che alle pene | Giacomo Puccini, Robert Kerns, Luciano Pavarotti, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 3 | 2B | 174 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "La vendetta" - "Tutto ancor non ho perso" | Wolfgang Amadeus Mozart, Kurt Moll, Jane Berbié, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | D Major | 1 | 10B | 130 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden" | Richard Wagner, Dunja Vejzovic, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 125 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM | ||
The Magic Flute, K. 620, Act II: In diesen heil'gen Hallen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | C Minor | 1 | 5A | 86 BPM |
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