"Folk Songs: No. 6, La donna ideale" by Luciano Berio, Christine Schadeberg, Musicians Accord, Tanía León was released on November 21, 1995. With Folk Songs: No. 6, La donna ideale being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 25 in Berio: The Great Works for Voice by Luciano Berio, Christine Schadeberg, Musicians Accord, Tanía León, Hayes Biggs. In terms of popularity, Folk Songs: No. 6, La donna ideale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Folk Songs: No. 6, La donna ideale by Luciano Berio, Christine Schadeberg, Musicians Accord, Tanía León is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Bach, JS: Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, David Fray | G Major | 0 | 9B | 76 BPM | ||
Folk Songs: VII. Ballo | Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma | A Minor | 3 | 8A | 114 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM |
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