Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma's 'Folk Songs: VII. Ballo' came out on July 13, 2005. With Folk Songs: VII. Ballo being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma's "Luciano Berio: Folk Songs" album is number 6 out of 15. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Folk Songs: VII. Ballo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Folk Songs: VII. Ballo by Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatellen: VI | Valentin Silvestrov | D Minor | 1 | 7A | 84 BPM | ||
Valses Poéticos H. 147, DLR 7:8: No. 1: Melódico | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 149 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM | ||
Caledonian Market (Excerpts): No. 6, Musical Box | Irène Wieniawska, Jan Philip Schulze | D Major | 0 | 10B | 92 BPM | ||
Duetti Per Due Violini #18 Piero (Farulli) | Luciano Berio, Joseph Puglia, Ronald Copes | B Minor | 1 | 10A | 71 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM |
Section: 0.6816062927246094
End: 0.6858723163604736