Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer's 'La Finta scema / Act 2: Se lo dovessi vendere' came out on January 1, 2003. With La Finta scema / Act 2: Se lo dovessi vendere being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 13 in Cecilia Bartoli: The Salieri Album by Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Finta scema / Act 2: Se lo dovessi vendere is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Finta scema / Act 2: Se lo dovessi vendere by Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70, MWV A25 / Part 1: "O Thou, who makest Thine angels" | Felix Mendelssohn, Bryn Terfel, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | A Major | 0 | 11B | 80 BPM | ||
Polifemo: Lontan dal solo e caro… Lusingato dalla speme (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Pier-Luigi Fabretti, Il Giardino Armonico, Giovanni Antonini | F♯ Major | 1 | 2B | 78 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni, appaga il tuo consorte! | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink, Veronica Cangemi | E Minor | 1 | 9A | 105 BPM | ||
Andromeda Liberata (Serenata Veneziana), RV 117: Sovvente il sole | Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi | A Minor | 1 | 8A | 75 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 109 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Behold, God the Lord passed by!" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 1 | 8B | 100 BPM | ||
Allegro, quasi presto | Antonio Salieri, Zoltan Pesko, London Symphony Orchestra | D Major | 1 | 10B | 86 BPM | ||
Grande Messe des Morts: VII. Sequentia: Dies irae - Grave maestoso | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 107 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "If with all your hearts ye truly seek Me" | Felix Mendelssohn, John Mark Ainsley, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E♭ Major | 1 | 5B | 86 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Be not afraid, saith God the Lord" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 119 BPM |
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