"Missa octo vocum (Excerpts): I. Kyrie" by Hans Leo Hassler, Ensemble Vox Archangeli, Manuel Schuen was released on January 14, 2022. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Regina angelorum". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Austria. Based on our statistics, Missa octo vocum (Excerpts): I. Kyrie's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa octo vocum (Excerpts): I. Kyrie by Hans Leo Hassler, Ensemble Vox Archangeli, Manuel Schuen having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Coelos ascendit hodie | Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross | A Major | 4 | 11B | 71 BPM | ||
Three Songs, Op. 42: II. Vineta | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Cantique de Jean Racine | Escolania de Montserrat, Eduard Vila i Perarnau, Gabriel Fauré, Joaquim Piqué i Calvo | C Major | 2 | 8B | 121 BPM | ||
Missa I super Dixit Maria: Agnus Dei | Hans Leo Hassler, Ensemble Vocal Européen, Philippe Herreweghe | D Major | 1 | 10B | 132 BPM | ||
Messe brève No. 7: III. Sanctus | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | B Major | 4 | 1B | 104 BPM | ||
Il est bel et bon | Pierre Passereau, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
God So Loved The World | John Stainer, Andrew Kennedy, Neal Davies, Darius Battiwalla, Huddersfield Choral Society, Joseph Cullen | D Major | 1 | 10B | 82 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM |
Section: 0.6528053283691406
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