Rifat Bey, Henschel Quartett, Vedat Koşal made "Hamidiye Marsi - Arr. for Piano and String Quartet" available on 2000. The duration of Hamidiye Marsi - Arr. for Piano and String Quartet is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Hamidiye Marsi - Arr. for Piano and String Quartet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Ottoman Court Music (Arr. for Piano and String Quartet)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Austria. Hamidiye Marsi - Arr. for Piano and String Quartet is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hamidiye Marsi - Arr. for Piano and String Quartet by Rifat Bey, Henschel Quartett, Vedat Koşal having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in F Major, Op. 92: II. Adagio | Sergei Prokofiev, Pacifica Quartet | F Major | 1 | 7B | 148 BPM | ||
The Barber of Seville | Gioachino Rossini, Erich Leinsdorf, Fritz Reiner | C Major | 2 | 8B | 99 BPM | ||
3 Turkish Folk Songs: No. 3. Ak koyun meler gelir | Cemal Reşit Rey, Sunat Korat, Budapest Symphony Orchestra, Hikmet Şimşek | D Minor | 2 | 7A | 173 BPM | ||
Turkiye (Turkey): V. Allegretto giocoso | Cemal Reşit Rey, Budapest Symphony Orchestra, Hikmet Şimşek | E Minor | 0 | 9A | 73 BPM | ||
Beethoven’s Symphony No.9 | Various Artists | F Major | 2 | 7B | 174 BPM | ||
Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: IV. Finale marciale | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | D Major | 3 | 10B | 76 BPM | ||
Variations And Fugue On A Theme Of Beethoven For Two Pianos, Op.86: Sostenuto | Max Reger, András Schiff, Peter Serkin | F Major | 0 | 7B | 142 BPM | ||
Limanın Delileri (The Loonies of the Harbor) | Piano Turca | E♭ Minor | 5 | 2A | 176 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM |
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