Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 1, Allegro" available on March 1, 2019. The duration of Golovinmusiken, BeRI 1: No. 1, Allegro is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Golovinmusiken, BeRI 1: No. 1, Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 1 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 1, Allegro's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 1, Allegro by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
Orchestral Suite No. 2 in B Minor, BWV 1067: Ⅶ. Badinerie | 麥家樂, Russian Chamber Symphony Orchestra | G Major | 2 | 9B | 97 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Harpsichord Concerto in G Major, H. 412 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): III. Allegro assai (Cadenza: Mayer) | Albrecht Mayer, Carl Philipp Emanuel Bach, Berliner Barock Solisten | G Major | 2 | 9B | 121 BPM | ||
Spängler-Menuett III | Leopold Mozart, Bankhaus Spängler | G Major | 0 | 9B | 92 BPM | ||
Sinfonia in F Major, Badley F1: III. Menuet | Leopold Hofmann, Northern Chamber Orchestra, Nicholas Ward | A Minor | 2 | 8A | 80 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Johannes Klumpp, Heidelberg Symphony Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM |
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