Erik Satie, Klara Kormendi's 'Passacaille. Pas trop vif' came out on March 15, 1990. The duration of Passacaille. Pas trop vif is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Passacaille. Pas trop vif's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Satie: Piano Works (Selection)". In this album, this song's track order is #29. In terms of popularity, Passacaille. Pas trop vif is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Passacaille. Pas trop vif by Erik Satie, Klara Kormendi having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 2, Kuriose Geschichte | Robert Schumann, Vladimir Horowitz | D Major | 1 | 10B | 132 BPM | ||
Chopin: Nocturne No. 7 in C-Sharp Minor, Op. 27 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | A Minor | 1 | 8A | 82 BPM | ||
Roman Nepi Tancok (Romanian Folk Dances) , Bb 68: 1. Bot Tanc - Jocul Cu Bata | Béla Bartók, Jenő Jandó | A Minor | 1 | 8A | 101 BPM | ||
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
Endecha y Oremus | Francisco Tárrega, Andrés Madariaga | D Minor | 0 | 7A | 133 BPM | ||
Children's Corner, L. 113: 5. The Little Shepherd | Claude Debussy, Pascal Rogé | A Major | 0 | 11B | 67 BPM | ||
16 Waltzes, Op. 39: No. 16 In C Sharp Minor | Johannes Brahms, Idil Biret | E Major | 0 | 12B | 81 BPM | ||
María Gavota | Francisco Tárrega, Andrés Madariaga | A Minor | 2 | 8A | 91 BPM | ||
Six Piano Pieces, Op. 118: Intermezzo in A Minor, Op. 118, No. 1 | Johannes Brahms, Murray Perahia | E Major | 0 | 12B | 69 BPM | ||
Préludes / Book 1, L. 117: 12. Minstrels | Claude Debussy, Pascal Rogé | G Major | 1 | 9B | 70 BPM |
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