On November 26, 2021, the song "Sonata for Solo Violin: II. Allegro" was released by Maija Einfelde, Magdalēna Geka. The duration of Sonata for Solo Violin: II. Allegro is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sonata for Solo Violin: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maija Einfelde, Magdalēna Geka, Iveta Cālīte's "Maija Einfelde: Violin Sonatas" album is number 11 out of 12. On top of that, Latvia appears to be the country where this track was created. Sonata for Solo Violin: II. Allegro is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sonata for Solo Violin: II. Allegro by Maija Einfelde, Magdalēna Geka to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Sacred Place: II. Amidah | Alex Berko, Conspirare, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | E♭ Major | 2 | 5B | 76 BPM | ||
O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Go down Moses | Negrasálmur, Gradualekór Langholtskirkju | F Major | 3 | 7B | 142 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 0 | 5A | 80 BPM | ||
Romanzen, Book 1, Op. 69: No. 6. Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | B Major | 0 | 1B | 83 BPM |
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