Luis de Milán, Shirley Rumsey's 'Fantaisie No. 8: Fantasia VIII' came out on April 27, 1993. The duration of Fantaisie No. 8: Fantasia VIII is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Fantaisie No. 8: Fantasia VIII's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Shirley Rumsey's "Music of the Spanish Renaissance" album is number 15 out of 24. In terms of popularity, Fantaisie No. 8: Fantasia VIII is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fantaisie No. 8: Fantasia VIII by Luis de Milán, Shirley Rumsey to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata No. 11 in D Minor: II. Allemande | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Io ti vorria contar, LV 658 (Transcr. for Lutes by Evangelina Mascardi) | Orlande de Lassus, Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer | B Major | 2 | 1B | 136 BPM | ||
Libro de musica de vihuela de mano intitulado El maestro: Pavana No. 4 | Luis de Milán, José Antonio Escobar | E Major | 1 | 12B | 139 BPM | ||
Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Sonata in C Major (Weiss) - Allegro 1 and 2 | Edward Martin and Paul Berget | B Major | 2 | 1B | 90 BPM | ||
Prélude | Charles Mouton, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
Balletto (Arr. for Harp and Baroque Guitar) - From "Vatican, Biblioteca Apostolica, MSS Chigi Q. IV.28, ff. 44-45v" | Girolamo Frescobaldi, Eduardo Egüez, Giovanna Pessi | B Major | 1 | 1B | 120 BPM | ||
The Lady of Sussex Delight | Tobias Hume, Guido Balestracci, Les Basses Réunies, Bruno Cocset | E Major | 1 | 12B | 92 BPM |
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