"Pictures at an Exhibition (Orch. Ravel): III. Tuileries" by Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado was released on January 1, 1995. With Pictures at an Exhibition (Orch. Ravel): III. Tuileries being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in London Symphony Orchestra, Claudio Abbado's "Mussorgsky: Pictures at an Exhibition" album is number 6 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Pictures at an Exhibition (Orch. Ravel): III. Tuileries's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): III. Tuileries by Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
The Golden Age: III. Polka | Dmitri Shostakovich, Boston Pops Orchestra, John Williams | F Major | 1 | 7B | 82 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Nocturne - The Splendour Falls on Castle Walls | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | E♭ Major | 2 | 5B | 134 BPM | ||
Variation 1: Piu andante | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 2 | 11B | 106 BPM | ||
Symphony No. 7, Op. 131: 3. Andante espressivo | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | A Minor | 2 | 8A | 79 BPM | ||
Fountains of Rome: The Triton Fountain (La fontana di Tritone al mattino) | Ottorino Respighi, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 59 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Symphony No. 4 in E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 66 BPM |
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