"Kinderszenen, Op. 15: XII. Kind im Einschlummern" by Robert Schumann, Lang Lang was released on November 28, 2005. The duration of Kinderszenen, Op. 15: XII. Kind im Einschlummern is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Kinderszenen, Op. 15: XII. Kind im Einschlummern's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lang Lang's "Memory" album is number 19 out of 21. On top of that, Germany appears to be the country where this track was created. Kinderszenen, Op. 15: XII. Kind im Einschlummern is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kinderszenen, Op. 15: XII. Kind im Einschlummern by Robert Schumann, Lang Lang to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso | Modest Mussorgsky, Ivo Pogorelich | E♭ Minor | 0 | 2A | 117 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Gnossiennes: No. 7 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 74 BPM | ||
Danzas Argentinas, Op. 2: 2. Danza de la moza donosa | Alberto Ginastera, Lang Lang | A Minor | 0 | 8A | 134 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
4 Romantic Pieces, Op. 75, B.150: 1. Allegro moderato | Antonín Dvořák, Akiko Suwanai, Boris Berezovsky | D♭ Major | 0 | 3B | 74 BPM | ||
Spanische Liebeslieder, Op. 138: 3. O wie lieblich ist das Mädchen | Robert Schumann, Emanuel Geibel, Martin Mitterrutzner, Gerold Huber, James Cheung | B♭ Major | 1 | 6B | 112 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 2 in F Minor, Moderato molto | Bedřich Smetana, Jitka Čechová | F Minor | 1 | 4A | 112 BPM |
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