"Symphony No. 3 - "The Camp Meeting": 1. Old Folks Gatherin' (Andante maestoso)" by Charles Ives, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Ives, Los Angeles Philharmonic, Zubin Mehta, Academy of St. Martin in the Fields, Sir Neville Marriner, Cleveland Orchestra, Christoph von Dohnányi's "Ives: Symphonies Nos 1-4; Orchestral Sets Nos.1-2" album is number 6 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Symphony No. 3 - "The Camp Meeting": 1. Old Folks Gatherin' (Andante maestoso) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 - "The Camp Meeting": 1. Old Folks Gatherin' (Andante maestoso) by Charles Ives, Academy of St. Martin in the Fields, Sir Neville Marriner to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: III. Allegro molto - Largamente assai | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | D Major | 2 | 10B | 71 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Concerto for Piano and Orchestra, Op. 42: I. Andante | Arnold Schoenberg, Mitsuko Uchida, Cleveland Orchestra, Pierre Boulez | C Major | 2 | 8B | 180 BPM | ||
Remembrance | Charles Ives, Sheila Schonbrun, Eva Gruesser, Cheryl Seltzer, Continuum | C Major | 0 | 8B | 94 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
String Quartet in F Major: IV. Vif et agite | Maurice Ravel, Cavani Quartet | D Minor | 1 | 7A | 140 BPM |