Silvius Leopold Weiss, Lutz Kirchhof made "Capriccio in D Major" available on 1992. The duration of Capriccio in D Major is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Capriccio in D Major's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #2 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Capriccio in D Major is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Capriccio in D Major by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Capriccio in D Major being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barrios Mangoré: Julia Florida | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM | ||
Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM | ||
[Suite en la majeur]: III. Sarabande (No. 19) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 115 BPM | ||
Guitar Sonata No. 8 in G Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM |
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