"Aida: Ich seh Dich wieder, meine Aida" by Max Lorenz, Elena Nikolaidi, Herbert Alsen, Daniza Ilitsch, Mathieu Ahlersmeyer was released on October 12, 2009. Aida: Ich seh Dich wieder, meine Aida appears to be safe for all ages as it is not explicit. The track order of this song in Max Lorenz's "Max Lorenz - Keiner war wie er" album is number 5 out of 14. Aida: Ich seh Dich wieder, meine Aida is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aida: Ich seh Dich wieder, meine Aida by Max Lorenz, Elena Nikolaidi, Herbert Alsen, Daniza Ilitsch, Mathieu Ahlersmeyer to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Phantom Melody | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 91 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Prélude | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | B♭ Major | 1 | 6B | 115 BPM | ||
Concerto for Clarinet No. 2 in E-Flat Major, Op. 74: I. Allegro | Carl Maria von Weber, Alberto Lizzio, North German Philharmonic Orchestra, Alexander Ivanov | A Major | 2 | 11B | 80 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Symphony N. 1 in C Minore, Op. 68 - IV. Adagio–Allegro ma con brio | Johannes Brahms, Rudolf Kempe, Berliner Philharmoniker | C Major | 0 | 8B | 131 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B Minor | 0 | 10A | 112 BPM | ||
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM | ||
Siegfried: Finale 1. Aufzug | Max Lorenz, William Wernigk | D Minor | 6 | 7A | 67 BPM |
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