"Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto)" by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki was released on October 3, 2007. With this song being about 5 minutes long, at 5:19, "Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto)" by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232: Agnus Dei: Agnus Dei (Alto) by Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: Ich harre des Herrn (Chorus) | Johann Sebastian Bach, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 1 | 2B | 88 BPM | ||
Missa in G Minor, BWV 235: VI. Cum Sancto Spiritu | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Christmas Oratorio, BWV 248: Chorale. Wie soll ich dich empfangen... (Chorus) | Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | F♯ Major | 3 | 2B | 114 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Stephen Cleobury, Tom Etheridge, Ensemble of King's College, Cambridge | E♭ Major | 1 | 5B | 96 BPM | ||
Traditional: Sans Day Carol, "St. Day Carol": "Now the holly bears a berry" (Cornish Christmas Carol) | Traditional, Clare College Singers, John Rutter, Clare College Orchestra | E♭ Major | 2 | 5B | 130 BPM | ||
Tochter Zion | Thomanerchor Leipzig, Hans-Joachim Rotzsch | G Major | 2 | 9B | 81 BPM | ||
Wake, O Wake, And Sleep No Longer | Philipp Nicolai, Johann Sebastian Bach, Randall DeBruyn, Christopher Idle | A Major | 0 | 11B | 77 BPM | ||
Zaïs: Overture - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 3 | 3B | 127 BPM | ||
Love Came | Peter Gregson | C Major | 0 | 8B | 136 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM |
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