"Noye's Fludde, Op. 59: "Wiffe, Come In! Why Standes Thou Their?"" by Benjamin Britten, Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar was released on January 1, 1993. With this song being about 5 minutes long, at 5:09, "Noye's Fludde, Op. 59: "Wiffe, Come In! Why Standes Thou Their?"" by Benjamin Britten, Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 15 in Britten: Noye's Fludde; The Golden Vanity by Benjamin Britten, Owen Brannigan, Sheila Rex, The English Opera Group Orchestra, Wandsworth School Boys Choir, Russell Burgess, Norman Del Mar. Noye's Fludde, Op. 59: "Wiffe, Come In! Why Standes Thou Their?" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Noye's Fludde, Op. 59: "Wiffe, Come In! Why Standes Thou Their?" by Benjamin Britten, Owen Brannigan, Sheila Rex, David Pinto, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Stephen Alexander, Darian Angadi, The English Opera Group Orchestra, Merlin Channon, Norman Del Mar is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM |
Section: 0.8062729835510254
End: 0.8139493465423584