- BPM
- 87
- Key
- B♭ Major
- Camelot
- 6B
Le nozze di Figaro, K. 492 / Act III: Dove sono - Live - Wolfgang Amadeus Mozart, Renée Fleming, The Metropolitan Opera, James Levine Information
- Acousticness
- 98%
- Danceability
- 30%
- Energy
- 24%
- Instrumentalness
- 0%
- Liveness
- 65%
- Loudness
- 70%
- Speechiness
- 16%
- Valence
- 6%
- Popularity
- 15%
- Loudness
- -18.243 dB
Summary
"Le nozze di Figaro, K. 492 / Act III: Dove sono - Live" by Wolfgang Amadeus Mozart, Renée Fleming, The Metropolitan Opera, James Levine was released on January 13, 2023. With this song being about 5 minutes long, at 5:17, "Le nozze di Figaro, K. 492 / Act III: Dove sono - Live" by Wolfgang Amadeus Mozart, Renée Fleming, The Metropolitan Opera, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 2 out of 32. On top of that, United States appears to be the country where this track was created. Le nozze di Figaro, K. 492 / Act III: Dove sono - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Le nozze di Figaro, K. 492 / Act III: Dove sono - Live BPM
We consider the tempo marking of Le nozze di Figaro, K. 492 / Act III: Dove sono - Live by Wolfgang Amadeus Mozart, Renée Fleming, The Metropolitan Opera, James Levine to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Le nozze di Figaro, K. 492 / Act III: Dove sono - Live Key
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Cyprien Katsaris | D♭ Major | 0 | 3B | 94 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | |
 | Concerto For 3 Pianos And Orchestra (No.7) In F, K.242 "Lodron" - Mozart's version for 2 pianos: 3. Rondeau (Tempo di menuetto) | Wolfgang Amadeus Mozart, Lucas Jussen, Arthur Jussen, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 136 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
| Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | |
 | Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | |
 | Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): II. Andante | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | B♭ Major | 0 | 6B | 112 BPM | |
 | Der Stein der Weisen, Act II: Fort, armer Jüngling | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Sharon Baker, Paul Austin Kelly | E♭ Major | 1 | 5B | 106 BPM |
- ISRC
- USY3P2206370
- Label
- L-M Records/RCA Records
Section: 0.7588469982147217
End: 0.7620515823364258