Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra's 'Piano Concerto in E Major, K. 107 No. 3 (After J.C. Bach W.A 4): I. Allegro' came out on 1984. Piano Concerto in E Major, K. 107 No. 3 (After J.C. Bach W.A 4): I. Allegro is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Murray Perahia's "Mozart: 3 Piano Concertos After J.C. Bach, K. 107 - Schröter: Piano Concerto in C Major, Op. 3 No. 3" album is number 6 out of 10. Based on our statistics, Piano Concerto in E Major, K. 107 No. 3 (After J.C. Bach W.A 4): I. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in E Major, K. 107 No. 3 (After J.C. Bach W.A 4): I. Allegro by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Violin Sonata No. 22 in A Major, K. 305: I. Allegro di molto | Wolfgang Amadeus Mozart, Ray Chen | E Major | 1 | 12B | 153 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2g. Gloria: Jesu Christe | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Serenata notturna in D Major, K. 239: I. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Thomas Brandis, Emil Maas, Neithart Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 7 | 11A | 132 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Requiem pour soli, choeur et orchestre en ré mineur K.626, Introitus: Kyrie eleison | Wolfgang Amadeus Mozart, Efrat Ben Nun, Elisabeth Graf, Ensemble Vocal de Lausanne, Jeffrey Francis, Marcus Fink, Michel Corboz, Orchestre de Chambre de Genève | D Minor | 2 | 7A | 100 BPM | ||
Der Stein der Weisen, Act I: Dialogue (6) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Alan Ewing, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM |
Section: 0.6734404563903809
End: 0.6775627136230469