Claudio Monteverdi, Furio Zanazi, La Chimera's 'L'Orfeo Favola In Musica, "Rosa del Ciel"' came out on May 11, 2009. The duration of L'Orfeo Favola In Musica, "Rosa del Ciel" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. L'Orfeo Favola In Musica, "Rosa del Ciel"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Eduardo Eguez, La Chimera, Furio Zanasi's "La Voce Di Orfeo" album is number 9 out of 24. L'Orfeo Favola In Musica, "Rosa del Ciel" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orfeo Favola In Musica, "Rosa del Ciel" by Claudio Monteverdi, Furio Zanazi, La Chimera to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat "Fecit potentiam in brachio suo" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | E Major | 1 | 12B | 92 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Messa, salmi concertati e parte da capella, et letanie della B. V.: Laetatus sum (I), SV 198 | Claudio Monteverdi, Susan Hemington Jones, Tessa Bonner, Charles Daniels, Andrew Tusa, Peter Harvey, Jonathan Best, Gabrieli, Paul McCreesh | G Major | 1 | 9B | 128 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM |
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