Jan Antonín Losy, Joachim Held made "Suite in F Major: IV. Sarabande" available on January 1, 2005. The duration of Suite in F Major: IV. Sarabande is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Suite in F Major: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joachim Held's "Held, Joachim: Baroque Lute Music From the Lands of the Habsburgs" album is number 26 out of 31. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite in F Major: IV. Sarabande is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite in F Major: IV. Sarabande by Jan Antonín Losy, Joachim Held to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Lute in F Major: Sarabande | Jan Antonín Losy, Stephen Stubbs | D♭ Minor | 1 | 12A | 132 BPM | ||
Canción del Emperador (Mille Regres) | Luis de Narváez, Juan Carlos Rivera | G Minor | 0 | 6A | 61 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Corrente | Domenico Pellegrini, Pierre Pitzl | D♭ Major | 0 | 3B | 112 BPM | ||
Fantasia in G Minor, P. 7: 7 Fantasies: No. 7. A Fancy, P. 7 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Suite in D Minor: III. Sarabanda | Esaias Reusner, Lutz Kirchhof | D♭ Minor | 0 | 12A | 83 BPM | ||
Sarabanda | Angelo Michele Bartolotti, Simon Linné | F Major | 0 | 7B | 85 BPM | ||
Marizapalos | Hopkinson Smith, Gaspar Sanz | G Minor | 0 | 6A | 133 BPM | ||
Partia in D Minor: IV. Aria II | Jan Antonín Losy, Jan Čižmář, Martyna Pastuszka, {oh!} ENSEMBLE | A Minor | 0 | 8A | 95 BPM |
Section: 0.6866919994354248
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