- BPM
- 88
- Key
- D Major
- Camelot
- 10B
Vaughan Williams: The Lark Ascending, for Violin and Orchestra (Excerpt, Opening) - Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra Information
- Acousticness
- 96%
- Danceability
- 26%
- Energy
- 24%
- Instrumentalness
- 90%
- Liveness
- 18%
- Loudness
- 76%
- Speechiness
- 3%
- Valence
- 23%
- Popularity
- 0%
- Loudness
- -14.348 dB
Summary
Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra's 'Vaughan Williams: The Lark Ascending, for Violin and Orchestra (Excerpt, Opening)' had a release date set for March 16, 2009. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 1 out of 40 in Alan Titchmarsh/Radio 2 Melodies For You by Alan Titchmarsh/Radio 2 Melodies For You. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vaughan Williams: The Lark Ascending, for Violin and Orchestra (Excerpt, Opening) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vaughan Williams: The Lark Ascending, for Violin and Orchestra (Excerpt, Opening) BPM
The tempo marking of Vaughan Williams: The Lark Ascending, for Violin and Orchestra (Excerpt, Opening) by Ralph Vaughan Williams, Sir Adrian Boult, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Vaughan Williams: The Lark Ascending, for Violin and Orchestra (Excerpt, Opening) Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | |
 | Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | |
 | Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | |
 | Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | |
 | Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | |
 | The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | A Minor | 0 | 8A | 83 BPM | |
 | Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |
- ISRC
- GBAYC8700828
- Label
- L-M Records/RCA Records