Darius Milhaud, Jean-Claude Vanden Eynden, Pierre-Alain Volondat made "« Scaramouche », Suite pour deux pianos, Op. 165b: Vif" available on 1989. The duration of « Scaramouche », Suite pour deux pianos, Op. 165b: Vif is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. « Scaramouche », Suite pour deux pianos, Op. 165b: Vif's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Frédéric Chopin, Mariam Batsashvili, Zoltán Kocsis, János Rolla, Various Artists, Sergei Rachmaninoff, Giuseppe Andaloro, Valentin Silvestrov, Anja Lechner, Silke Avenhaus, Maacha Deubner, Simon Fordham, Rosamunde Quartett, Jean-Claude Vanden Eynden, Pierre-Alain Volondat's "Musique française pour deux pianos et piano à quatre mains: Debussy, Fauré, Milhaud & Ravel" album is number 15 out of 17. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, « Scaramouche », Suite pour deux pianos, Op. 165b: Vif's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of « Scaramouche », Suite pour deux pianos, Op. 165b: Vif by Darius Milhaud, Jean-Claude Vanden Eynden, Pierre-Alain Volondat to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christophe Colomb, Tableau II, Op. 102, Act I, Scene 2: "Au commencement était le Verbe" (Colomb, Cuisinier, Chœur) | Darius Milhaud, Orchestre Radio Lyrique, Robert Massard, Manuel Rosenthal, Jean Giraudeau, Choeur Radio Lyrique | G Major | 0 | 9B | 79 BPM | ||
Quintette: I. Assez anime | Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet | A Major | 1 | 11B | 139 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Ibert: Flute Concerto: III. Allegro scherzando | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 92 BPM | ||
Prokofiev: Flute Sonata No. 2 in D Major, Op. 94: I. Moderato | Sergei Prokofiev, Emmanuel Pahud | A Major | 1 | 11B | 86 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Allegretto | Benjamin Godard, Marc Grauwels, Waterloo Chamber Orchestra, Ulysse Waterlot | C Minor | 1 | 5A | 110 BPM | ||
Paris, Suite Pour 4 Pianos : IV Bateaux-Mouches - Remasterisé En 1988 | Darius Milhaud, Michel Béroff, Noël Lee, Christian Ivaldi, Jean-Philippe Collard | A Major | 1 | 11B | 93 BPM |
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