"Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni" by Wolfgang Amadeus Mozart, Aurèle Nicolet, Heinz Holliger, Hermann Baumann, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner was released on June 1, 1984. Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Heinz Holliger, Aurèle Nicolet, Hermann Baumann, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Sinfonia Concertante; Oboe Concerto" album is number 3 out of 6. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni by Wolfgang Amadeus Mozart, Aurèle Nicolet, Heinz Holliger, Hermann Baumann, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 1 | 12B | 101 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Der Stein der Weisen, Act I: Recitative. Du bist erhört! - Aria. In finstrer Höhlenkluft | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Alan Ewing, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |
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