On August 1, 1999, the song "Der Stein der Weisen, Act I: Recitative. Du bist erhört! - Aria. In finstrer Höhlenkluft" was released by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Alan Ewing, Jane Giering-De Haan. The duration of Der Stein der Weisen, Act I: Recitative. Du bist erhört! - Aria. In finstrer Höhlenkluft is about 3 minutes long, at 3:24. Based on our data, "Der Stein der Weisen, Act I: Recitative. Du bist erhört! - Aria. In finstrer Höhlenkluft" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman's "Mozart, Henneberg, Schack, Gerl & Schikaneder: Der Stein der Weisen" album is number 12 out of 54. On top of that, United States appears to be the country where this track was created. Der Stein der Weisen, Act I: Recitative. Du bist erhört! - Aria. In finstrer Höhlenkluft is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Der Stein der Weisen, Act I: Recitative. Du bist erhört! - Aria. In finstrer Höhlenkluft by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Alan Ewing, Jane Giering-De Haan to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Symphony No. 104 in D Major, Hob.I:104, "London": III. Menuet - Trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 1 | 10B | 136 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 | Johann Sebastian Bach, András Schiff | F Minor | 0 | 4A | 70 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Mozart: Flute Sonata in E Minor, K. 304: II. Tempo di menuetto (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
String Quartet No. 4 in C Major, K. 157: III. Presto | Eder Quartet | C Major | 2 | 8B | 81 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM |
Section: 0.7982528209686279
End: 0.8029000759124756