Shchedrin: Fugue No. 3 In G Major
Rodion Shchedrin, Joachim Kwetzinsky
Polyphonic Dialogues: Shostakovich - Shchedrin
2:16 March 12, 2010
BPM
179
Key
G Major
Camelot
9B

Embed

Share Link

Shchedrin: Fugue No. 3 In G Major - Rodion Shchedrin, Joachim Kwetzinsky Information

Acousticness
96%
Danceability
40%
Energy
20%
Instrumentalness
88%
Liveness
8%
Loudness
62%
Speechiness
7%
Valence
83%
Popularity
Loudness
-22.537 dB

Summary

On March 12, 2010, the song "Shchedrin: Fugue No. 3 In G Major" was released by Rodion Shchedrin, Joachim Kwetzinsky. The duration of Shchedrin: Fugue No. 3 In G Major is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Shchedrin: Fugue No. 3 In G Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Polyphonic Dialogues: Shostakovich - Shchedrin". In this album, this song's track order is #11. The popularity of Shchedrin: Fugue No. 3 In G Major is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Shchedrin: Fugue No. 3 In G Major BPM

With Shchedrin: Fugue No. 3 In G Major by Rodion Shchedrin, Joachim Kwetzinsky having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.

Shchedrin: Fugue No. 3 In G Major Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sounds of joy by Alejandro Llovet AbascalSounds of joyAlejandro Llovet AbascalC Major38B88 BPM
Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte by Daniel Auber, Moravian Philharmonic Orchestra, Dario SalviLestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acteDaniel Auber, Moravian Philharmonic Orchestra, Dario SalviC Minor35A110 BPM
Die Zauberflöte, K.620: Overture by Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio AbbadoDie Zauberflöte, K.620: OvertureWolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio AbbadoE♭ Major15B85 BPM
Carmen Fantasy, Op. 25: IV. Allegro moderato by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez IzquierdoCarmen Fantasy, Op. 25: IV. Allegro moderatoPablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez IzquierdoA Major111B103 BPM
Soirees musicales, Op. 9: IV. Bolero by Benjamin Britten, Helsingborg Symphony Orchestra, Okko KamuSoirees musicales, Op. 9: IV. BoleroBenjamin Britten, Helsingborg Symphony Orchestra, Okko KamuA♭ Minor01A201 BPM
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato by Carl Maria von Weber, Berliner Philharmoniker, Herbert von KarajanInvitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - ModeratoCarl Maria von Weber, Berliner Philharmoniker, Herbert von KarajanD Major110B122 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective by Alexander Borodin, Anima Eterna, Jos Van ImmerseelLes danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collectiveAlexander Borodin, Anima Eterna, Jos Van ImmerseelD Major210B104 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: The FightSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major48B108 BPM
Caprice Russe (Russian Capriccio), Op. 102 by Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny SvetlanovCaprice Russe (Russian Capriccio), Op. 102Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny SvetlanovE♭ Major35B109 BPM
Carmen Ballet Suite (after Bizet): XI. Adagio by Rodion Shchedrin, Slovenian Symphony Orchestra, Anton NanutCarmen Ballet Suite (after Bizet): XI. AdagioRodion Shchedrin, Slovenian Symphony Orchestra, Anton NanutD Major310B80 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7407424449920654

End: 0.7462656497955322