On March 12, 2010, the song "Shchedrin: Fugue No. 3 In G Major" was released by Rodion Shchedrin, Joachim Kwetzinsky. The duration of Shchedrin: Fugue No. 3 In G Major is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Shchedrin: Fugue No. 3 In G Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Polyphonic Dialogues: Shostakovich - Shchedrin". In this album, this song's track order is #11. The popularity of Shchedrin: Fugue No. 3 In G Major is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Shchedrin: Fugue No. 3 In G Major by Rodion Shchedrin, Joachim Kwetzinsky having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte | Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi | C Minor | 3 | 5A | 110 BPM | ||
Die Zauberflöte, K.620: Overture | Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 1 | 5B | 85 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Soirees musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A♭ Minor | 0 | 1A | 201 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 109 BPM | ||
Carmen Ballet Suite (after Bizet): XI. Adagio | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 3 | 10B | 80 BPM |
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