- BPM
- 126
- Key
- G Major
- Camelot
- 9B
Ave Maria, CG 89a - Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds Information
- Acousticness
- 95%
- Danceability
- 23%
- Energy
- 19%
- Instrumentalness
- 50%
- Liveness
- 15%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -18.55 dB
Summary
"Ave Maria, CG 89a" by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds was released on June 8, 2021. With this song being about 5 minutes long, at 5:07, "Ave Maria, CG 89a" by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 156 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Ave Maria, CG 89a's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria, CG 89a BPM
The tempo marking of Ave Maria, CG 89a by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina Reynolds is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Ave Maria, CG 89a Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In trutina from Carmina Burana | Carl Orff, Joshua Bell, Michael Stern | D Major | 1 | 10B | 93 BPM | |
 | L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | |
 | Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | |
 | Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | |
 | Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | |
 | Tchaikovsky : String Quartet No.1 in D major, Op.11 : II Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantin Orbelian, Moscow Chamber Orchestra | B Major | 1 | 1B | 94 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arranged for Violin & Orchestra) | Christoph Willibald Gluck, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Minor | 1 | 7A | 77 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | |
 | Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | |
 | Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM |
- ISRC
- AUUM71800225
- Label
- L-M Records/RCA Records
Section: 0.7850792407989502
End: 0.7880263328552246