"Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arranged for Violin & Orchestra)" by Christoph Willibald Gluck, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields was released on October 17, 2003. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Romance of the Violin". In this album, this song's track order is #8. Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arranged for Violin & Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arranged for Violin & Orchestra) by Christoph Willibald Gluck, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Swan Lake, Op. 20a, TH 219: Russian Dance | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Tilson Thomas, Berliner Philharmoniker | D♭ Major | 1 | 3B | 82 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Vier Impromptus, op.90 D.899: Vier Impromptus, op.90 D.899: III. Andante mosso, G flat major | Franz Schubert, Paul Lewis | F♯ Major | 0 | 2B | 67 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM |
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