On November 1, 2017, the song "イギリス組曲 第 2番 イ短調, BWV 807: 6. Gigue" was released by Johann Sebastian Bach, 上原琢矢. The duration of イギリス組曲 第 2番 イ短調, BWV 807: 6. Gigue is about 3 minutes long, at 3:23. Based on our data, "イギリス組曲 第 2番 イ短調, BWV 807: 6. Gigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in シャコンヌ, so we believe that "イギリス組曲 第 2番 イ短調, BWV 807: 6. Gigue" is a single. In terms of popularity, イギリス組曲 第 2番 イ短調, BWV 807: 6. Gigue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of イギリス組曲 第 2番 イ短調, BWV 807: 6. Gigue by Johann Sebastian Bach, 上原琢矢 is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Concerto No. 3 in D Major, BWV 1054: III. Allegro | Johann Sebastian Bach, Sonya Bach, English Chamber Orchestra | D Major | 2 | 10B | 99 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM |
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