"Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai" by Ludwig van Beethoven, Emil Gilels was released on September 18, 2020. With Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 10 in Beethoven: The Piano Sonatas in under 15 minutes by Ludwig van Beethoven, Emil Gilels, Wilhelm Kempff. Based on our statistics, Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai by Ludwig van Beethoven, Emil Gilels is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande Variations (from Suite in D Minor, HWV 437): Variation IX | George Frideric Handel, Martin Stadtfeld | A Major | 2 | 11B | 128 BPM | ||
24 Préludes, Op. 28, C. 166-189: 18 in F Minor | Frédéric Chopin, Alicia de Larrocha | F Major | 2 | 7B | 110 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Visions fugitives, Op. 22: XV. Inquieto | Sergei Prokofiev, Steven Osborne | E♭ Major | 4 | 5B | 81 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
4 Sketches, Op. 4, JB 1:66: No. 2 in B Major, Idyll. Moderato ma non troppo | Bedřich Smetana, Jitka Čechová | B Major | 1 | 1B | 94 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2 | Felix Mendelssohn, Péter Nagy | F Minor | 1 | 4A | 109 BPM | ||
Triple Concerto in C Major, Op. 56: 2. Largo - attacca - Live at Philharmonie, Berlin / 2019 | Ludwig van Beethoven, Anne-Sophie Mutter, Yo-Yo Ma, Daniel Barenboim, West-Eastern Divan Orchestra | A♭ Major | 1 | 4B | 90 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM |
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