Silvius Leopold Weiss, Lutz Kirchhof's 'Lute Sonata in B-Flat Major: VI. Menuet' came out on November 15, 1994. The duration of Lute Sonata in B-Flat Major: VI. Menuet is about 3 minutes long, at 3:18. Based on our data, "Lute Sonata in B-Flat Major: VI. Menuet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weiss: Lute Works Vol. III by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #6 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Lute Sonata in B-Flat Major: VI. Menuet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lute Sonata in B-Flat Major: VI. Menuet by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lute Sonata in B-Flat Major: VI. Menuet being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Refrain 2 | Stephen Stubbs | A Minor | 0 | 8A | 93 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Suonata: Gavotta | Giovanni Zamboni, Edin Karamazov | D♭ Major | 2 | 3B | 80 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Gigue de Angelis de Rome | Angelo Michele Bartolotti, Bernhard Hofstötter | D♭ Minor | 2 | 12A | 158 BPM | ||
Improvisation I on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 1 | 12A | 95 BPM | ||
Arpeggiata a mio modo (2004) | Stephen Stubbs | E♭ Minor | 0 | 2A | 84 BPM | ||
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM |
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