"Le Lagrime d'Orfeo: 24. Lassa, che di spavento "Euridice"" by Jacopo Peri, Ensemble Pygmalion, Luciana Mancini, Raphael Pichon was released on May 19, 2017. Le Lagrime d'Orfeo: 24. Lassa, che di spavento "Euridice" is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #3. Le Lagrime d'Orfeo: 24. Lassa, che di spavento "Euridice" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lagrime d'Orfeo: 24. Lassa, che di spavento "Euridice" by Jacopo Peri, Ensemble Pygmalion, Luciana Mancini, Raphael Pichon having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Buccinate in neomenia tuba | Giovanni Gabrieli, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Peri: Euridice: Per quel vago boschetto | Jacopo Peri, Coro polifonico di Milano, Giulio Bertola, I Solisti di Milano, Angelo Ephrikian | G Major | 1 | 9B | 78 BPM | ||
Peri: Euridice: Antri, ch'ai miei lamenti | Jacopo Peri, Coro polifonico di Milano, Giulio Bertola, I Solisti di Milano, Angelo Ephrikian | F Major | 1 | 7B | 123 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Membra Jesu nostri, BuxWV 75: IId. Ad genua: Ut te quaeram mente pura | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM |
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