"Lamentationes Jeremiae Prophetae: Lamentatio III, Pt. 4. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum" by Orlande de Lassus, El León de Oro, Peter Phillips was released on February 1, 2019. With Lamentationes Jeremiae Prophetae: Lamentatio III, Pt. 4. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 34 in Amarae morti: Lamentations & Motets from Renaissance Europe by El León de Oro, Dominique Phinot, Peter Phillips, Orlande de Lassus, Nicolas Gombert, Manuel Cardoso, Tomás Luis de Victoria, Cristobal de Morales, Giovanni Pierluigi da Palestrina. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lamentationes Jeremiae Prophetae: Lamentatio III, Pt. 4. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae: Lamentatio III, Pt. 4. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum by Orlande de Lassus, El León de Oro, Peter Phillips is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Lassus: Chansons françaises à quatre voix, Volume 1: No. 8, La nuict froide et sombre | Joachim du Bellay, Orlande de Lassus, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Lagrime di San Pietro: VIII. Nessún fedél trovai, nessún cortese | Orlande de Lassus, Gallicantus, Gabriel Crouch | F Major | 1 | 7B | 88 BPM | ||
Tribus miraculis, LV 219 | Orlande de Lassus, Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Ecclesie militantis | Guillaume Dufay, Pomerium, Alexander Blachly | F Major | 2 | 7B | 76 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM |
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