"Piano Quintet, Op. 18: II. Allegretto" by Mieczysław Weinberg, Muza Rubackyte, Mettis String Quartet was released on June 15, 2020. Since Piano Quintet, Op. 18: II. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Shostakovich - Weinberg: Dramatic Russian Legacy". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Piano Quintet, Op. 18: II. Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Quintet, Op. 18: II. Allegretto by Mieczysław Weinberg, Muza Rubackyte, Mettis String Quartet having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
The Firebird Suite, K010, (1945 Version): IX. The Princesses’ Khorovod | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B Major | 0 | 1B | 78 BPM | ||
I. Thema | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | D Major | 1 | 10B | 121 BPM | ||
Suite in G Major: II. Andante | Ignacy Jan Paderewski, Capella Bydgostiensis, Mariusz Smolij | G Major | 1 | 9B | 152 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Chanson de Ronsard, H. 54 (Arr. for Flute & Piano) | Arthur Honegger, Junko Teramoto, Kozue Takagi | F Major | 0 | 7B | 71 BPM | ||
3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |
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