"Le roi David, H 37 (Sung in English), Pt. 1: Pt. 1: Pity Me, Lord!" by Arthur Honegger, Stephen Ng, Randall Scarlata, West Chester University Chamber Ensemble, Ryan Kelly was released on January 8, 2016. The duration of Le roi David, H 37 (Sung in English), Pt. 1: Pt. 1: Pity Me, Lord! is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Le roi David, H 37 (Sung in English), Pt. 1: Pt. 1: Pity Me, Lord!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Honegger, West Chester University Mastersingers, West Chester University Concert Choir, West Chester University Chamber Ensemble, Ryan Kelly's "Honegger: Le roi David, H 37" album is number 9 out of 27. On top of that, United States appears to be the country where this track was created. Based on our statistics, Le roi David, H 37 (Sung in English), Pt. 1: Pt. 1: Pity Me, Lord!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le roi David, H 37 (Sung in English), Pt. 1: Pt. 1: Pity Me, Lord! by Arthur Honegger, Stephen Ng, Randall Scarlata, West Chester University Chamber Ensemble, Ryan Kelly to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: II. Des Helden Widersacher | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | F Major | 0 | 7B | 131 BPM | ||
SBP | KNOXVILLETRACKZ | F♯ Major | 0 | 2B | 81 BPM | ||
La jolie fille de Gand: No. 1 Andantino non troppo | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 70 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
Piano Concerto in D Minor, Op. 7: I. Allegro entusiastico | Vitezslava Kaprálová, Prague Radio Symphony Orchestra, Robert Jindra, Marek Kozák | A Minor | 2 | 8A | 82 BPM | ||
Concerto da Camera, H. 196: I. Allegretto amabile | Arthur Honegger, I Musici de Montréal, Yuli Turovsky, Timothy Hutchins, Pierre-Vincent Plante | G Major | 0 | 9B | 74 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM |
Section: 1.0862622261047363
End: 1.089362621307373