- BPM
- 76
- Key
- D♭ Major
- Camelot
- 3B
Faure: Pavane Op. 50 - Gabriel Fauré, The Blue Mountain Panpipe Ensemble Information
- Acousticness
- 98%
- Danceability
- 43%
- Energy
- 11%
- Instrumentalness
- 94%
- Liveness
- 13%
- Loudness
- 61%
- Speechiness
- 3%
- Valence
- 19%
- Popularity
- 2%
- Loudness
- -23.345 dB
Summary
"Faure: Pavane Op. 50" by Gabriel Fauré, The Blue Mountain Panpipe Ensemble was released on 1995. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 18 in A Classic Panpipe Experience by The Blue Mountain Panpipe Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Faure: Pavane Op. 50 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Faure: Pavane Op. 50 BPM
The tempo marking of Faure: Pavane Op. 50 by Gabriel Fauré, The Blue Mountain Panpipe Ensemble is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Faure: Pavane Op. 50 Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | |
 | Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | |
 | Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | |
 | Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | |
 | 3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | |
 | Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
- ISRC
- GBAYE0902512
- Label
- L-M Records/RCA Records
Section: 0.6228430271148682
End: 0.6289899349212646