- BPM
- 92
- Key
- C Major
- Camelot
- 8B
Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II - Malcolm Arnold, London Symphony Orchestra, Richard Hickox Information
- Acousticness
- 90%
- Danceability
- 19%
- Energy
- 6%
- Instrumentalness
- 66%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 0%
- Loudness
- -25.498 dB
Summary
"Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II" by Malcolm Arnold, London Symphony Orchestra, Richard Hickox was released on November 1, 1992. Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 12 out of 16 in Arnold, M.: Film Music, Vol. 1 by Malcolm Arnold, Richard Hickox. In terms of popularity, Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II BPM
The tempo marking of Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II by Malcolm Arnold, London Symphony Orchestra, Richard Hickox is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Hobson's Choice (arr. C. Palmer): III. Wedding Night - Theme and Variations II Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | |
 | Colonel Bogey - From "The Bridge On The River Kwai" | Kenneth J. Alford, Malcolm Arnold, London Festival Orchestra, Stanley Black | B♭ Major | 5 | 6B | 114 BPM | |
 | Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | |
 | Madrigal | Philippe Gaubert, James Galway | G Major | 0 | 9B | 82 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | |
 | Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | |
 | Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | |
 | Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | |
 | Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | |
 | Allegretto | Benjamin Godard, Marc Grauwels, Waterloo Chamber Orchestra, Ulysse Waterlot | C Minor | 1 | 5A | 110 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7701821327209473
End: 0.7844414710998535