Marcin Błażewicz, Klaudiusz Baran, Polish Radio Symphony Orchestra, Michał Klauza's 'Accordion Concerto: I. Andante ma agitato' came out on November 11, 2022. Since Accordion Concerto: I. Andante ma agitato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Polish Accordion Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Accordion Concerto: I. Andante ma agitato's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Accordion Concerto: I. Andante ma agitato by Marcin Błażewicz, Klaudiusz Baran, Polish Radio Symphony Orchestra, Michał Klauza having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
Bandit Fight (Mount and Blade Original Video Game Soundtrack) | Jesse Hopkins | G Minor | 0 | 6A | 130 BPM | ||
Variation 3 | Brad Mehldau, Orpheus Chamber Orchestra | F Minor | 4 | 4A | 141 BPM | ||
Shadow's Fall | Bruce Broughton | B♭ Major | 0 | 6B | 174 BPM | ||
Concerto to Hell | Christopher Young | A Major | 3 | 11B | 168 BPM | ||
Spartacus: Variation of Aegina and Bacchanal (Arr. for 4 Saxophones and Piano) | Aram Khachaturian, Alliage Quintett | E Major | 2 | 12B | 78 BPM | ||
Kaonashi (No Face) | Joe Hisaishi | F Minor | 3 | 4A | 160 BPM | ||
Cello Concerto 'Earth, Sea, Air': II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | D Major | 3 | 10B | 85 BPM |
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