"Requiem - Part 3 - Libera Me: Lux aeterna luceat eis Domine" by Geoffrey Burgon, Anthony Rolfe Johnson, London Symphony Chorus, Wooburn Singers, City of London Sinfonia, Richard Hickox was released on January 1, 1978. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 11 in Burgon: Requiem; Nunc dimittis by Geoffrey Burgon, Choir of King's College, Cambridge, Stephen Cleobury, London Symphony Chorus, Richard Hickox. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem - Part 3 - Libera Me: Lux aeterna luceat eis Domine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem - Part 3 - Libera Me: Lux aeterna luceat eis Domine by Geoffrey Burgon, Anthony Rolfe Johnson, London Symphony Chorus, Wooburn Singers, City of London Sinfonia, Richard Hickox is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Around The World In 80 Days - Overture | Victor Young | E♭ Major | 2 | 5B | 126 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM | ||
Hungry Hearts | Nicola Piovani | G Major | 1 | 9B | 79 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
A Passage to India: Suite | Maurice Jarre | F Minor | 3 | 4A | 121 BPM | ||
Five Little Pigs | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Yuri Torchinsky | A Minor | 0 | 8A | 96 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Excellent Notion - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | E Minor | 1 | 9A | 115 BPM | ||
Requiem - Part 2 - Dies Irae: Lacrimosa dies illa | Geoffrey Burgon, Jennifer Smith, City of London Sinfonia, Richard Hickox | C Minor | 0 | 5A | 79 BPM |
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