"The Hours: Dead Things (From "The Hours")" by Philip Glass, Nicolas Horvath was released on June 10, 2016. The duration of The Hours: Dead Things (From "The Hours") is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Hours: Dead Things (From "The Hours")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Philip Glass: Glassworlds, Vol. 4 – On Love". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. The Hours: Dead Things (From "The Hours") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hours: Dead Things (From "The Hours") by Philip Glass, Nicolas Horvath having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Second Theme | Kees Wieringa, Arielle Vernède, Gerard Bouwhuis, Lotte Bovi, Mondrian Quartet, Polo de Haas, Simeon ten Holt | A♭ Minor | 1 | 1A | 153 BPM | ||
Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant | Valeria Szervánszky, Ronald Cavaye | A Minor | 0 | 8A | 135 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
I. Allegro moderato | Baldassare Galuppi, Martin Stadtfeld | C Minor | 1 | 5A | 66 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
4.1 Prelude | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | A♭ Major | 2 | 4B | 76 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |
Section: 0.677947998046875
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